Darío Villalba

Cabeza y 79, 1979

San Sebastián, 1939 - Madrid, 2018

In my work, the painting is photography and the photography is painting.

 

Darío Villalba was born in San Sebastián in 1939 in a family of artistic tradition. In 1957, at only 18 years old and before he studies at Escuela de Bellas Artes de San Fernando, in Madrid, he exhibits for the first time in Galería Alfil, also in Madrid. In turn, he combines these studies with those of Law and Philosophy and Letters. A year later he moved to Paris for a few months, working during this time in the workshop of the painter André Lhote. At this time he began his first photographic works, a record of great importance in his work, and which he usually combined with painting.

Thanks to a scholarship from Harvard University, he moved to the United States in 1962, making his work known and holding various exhibitions in North America. Five years later, in 1967, he returned to Europe, albeit to London, expanding his exhibition tour, as well as finding a great source of inspiration in the urban environment. His international recognition came in the 1970s, beginning in 1970 through the Venice Biennale and only three years later, winning the International Painting Prize at the Sao Paulo Biennial. During this period he exhibited mainly in Europe, in spaces such as the Künstlerhaus in Vienna, the Palais des Beaux-Arts in Brussels or the Stadt Museum Bochum in Germany.

The 80s, on the other hand, take their work to the United States, both in individual and collective exhibitions in prominent spaces such as the Charles Cowles Gallery, the Guggenheim in New York or the MoMA. In the last years of his career, he enjoys anthological exhibitions about his work, such as the one presented in 1994 at the IVAM, and later at the Museet de Samtidskunst in Oslo, or the retrospective organized by the Museo Nacional Centro de Arte Reina Sofía in 2007.

His work highlights principally the use of the photograph as the basis of his work and pictorial research. The photographs not necessarily are taken for him, because he gets this from different media, decontextualizing it and using it as a pictorial elements support. We can find it in collections and museums like MoMA in New York, Museo Patio Herreriano in Valladolid, or Es Baluard Museu d’Art Modern i Contemporani in Palma.

Sel·lecció d’obres

Sense títol , 1971

Jones , 1974

Pies Vendados , 1974

Pies Vendados , 1974

Sense títol , 1975

Sense títol , 1975

Cabeza, hombre y manos , 1976

Cabeza, hombre y manos , 1976

Sense títol , 1971

Sense títol , 1975

Jones , 1974

Sense títol , 1975

Pies Vendados , 1974

Cabeza, hombre y manos , 1976