Twenty Faces and Three Crowds

The third and final act, Twenty Faces and Three Crowds, goes into the great iconographic motive of art, the element that questions the chronologies and brings to this day the verisimilitude of the whole past: the human face.

The face is memory and is also a literature of what has been lived. In it the experience is written and the future is intuited. A face that looks with restlessness demands that we decode it. A face that conceals its appearance seems to manage its certainties.

The Suñol Soler Collection has petrified faces and dilated faces, recognizable faces and fading faces. The twenty faces selected have their counterpoint in three crowds that observe and accept them. Along with the loneliness of the face looking for causes to be, we find the crowd rehearsing reasons to be recognized.

Artists: Rosa Amorós, Eduardo Arroyo, Richard Avedon, Roman Buxbaum, Pep Duran, Fred Forest, Pablo Gargallo, Juan Genovés,  Juli González, Luis Gordillo, José P. Jardiel, Ouka Leele, Robert Llimós, Robert Mapplethorpe, Antoni Miralda, Inge Morath, Antoni Muntadas, Guillermo Pérez Villalta, Pablo Picasso, Joan Ponç, Darío Villalba, Andy Warhol, Zush/Evru.