In June 2010, coinciding with the 62nd anniversary of Pablo Palazuelo’s departure for Paris, the Fundación Juan March, together with the Fundación-Museo Jorge Oteiza, presented an exhibition that dealt with the almost 20 years Palazuelo spent in the French capital and which would be essential in his work since during this period he would adopt the abstract and geometric language present in his later production. The catalogue includes the hundred works, many unpublished, shown in the exhibition, passages by the curator, Alfonso de la Torre, and poems by the artist that filled many of the pages of his sketchbooks.
This catalogue brings together the career of the artist Eduardo Arroyo, considered one of the masters of critical figuration in Spain. It was published on the occasion of the exhibition presented at the Museo Reina Sofia of modern art in Madrid in 1998. Not only his pictorial and sculptural works are presented here, but also all the scenographies for opera and theatre (many of them unpublished) in which Arroyo worked from the seventies onwards. With texts by authors such as Calvo Serraller, Gilles Aillaud and Miguel Zuzaga.
Catalogue from the anthological exhibition of Equipo Crónica that took place at the Centro de Arte M-11 in Seville in 1975. Designed by Alberto Corazón, this interesting volume is divided into two well-differentiated sections: one dedicated to the text, which includes a brief chronology, a compendium of articles appeared in the press and essays by authors such as Tomás Llorens or Valeriano Bozal, and the other, where the works presented in the exhibition can be found.
The Andy Warhol. From A to B and back again exhibition at the Whitney Museum of American Art (New York, 2018) examined in its entirety the work of one of the most recognizable and influential American artists, Andy Warhol, who understood the growing power of images in contemporary life and expanded the boundaries of what we mean by art, experimenting with non-traditional artistic techniques. The catalogue published for the exhibition includes essays by eminent academics and contemporary artists such as Barbara Kruger on a variety of subjects, some of which are still contemporary nowadays.
Essential publication that allows to know the work of a creator who developed his task not only in the field of painting, but also produced artefacts, ceramics, set designs and carpets. This catalogue, published in 2004 by the Museo Nacional Centro de Arte Reina Sofía and the Fundación Azcona, and on the initiative, more than 30 years ago, of the painter Fernando Zóbel, brings together more than five hundred works by Millares with abundant documentation and texts by Alfonso de la Torre.
Monographic catalogue published in 1999 on the occasion of the exhibitions that the city of Milan hosted simultaneously in various locations to commemorate the centenary of the birth of Lucio Fontana, and which aimed to present the relevance of the artist who in 1930 was the first to exhibit non-figurative sculpture in Italy and soon after founded the movement of spatialism.
This volume, written by Ricard Mas and published in 2017, analyses in a widely documented way the links between Dalí and the city of Barcelona; it reviews, on the one hand, the artists’ work and, on the other, his experiences and relations with certain sectors of Barcelona society. In this regard, it should be noted the pages that the author dedicates to the Fundació Suñol and the piece by the artist that is part of the Josep Suñol Collection.
This catalogue, published by the three institutions involved in the exhibition project called Alighiero Boetti. Estrategia de Juego (Museo Nacional Centro de Arte Reina Sofía, Tate Modern and MoMA), contains more than one hundred works that put together an exhibition that covers the artist’s career in its entirety. It also includes texts by curators Lynne Cooke, Mark Godfrey and Christian Rattemeyer, as well as other authors, and an interview with Boetti.
On the occasion of the centenary of Joan Miró’s date of birth, the foundation that bears his name celebrated in 1993 a complete anthological exhibition in which it was possible to see some of the artist’s most significant works from his figurative beginnings, without forgetting any period or series in which he worked, and which are reflected in this catalogue together with essays by Robert Lubar, Christopher Green and Rudi Fuchs and short texts by Chevalier, Sweeney or Lenz, among others.
In 2004 MACBA dedicated a retrospective exhibition to the informalist artist Antoni Tàpies, curated by Manuel J. Borja-Villel. This is the resulting catalogue, which includes a compilation of essays and fragments by authors such as Bozal, Guilbaut, Cirlot, Tapié and Tàpies himself, in which questions such as materiality and identity are dealt with and in which the complexity of the artist becomes evident.
